Reflecting on the burgeoning field of feminist media histories and contemporary debates around Shanta Apte’s films, protests, and writing, along with sources that bring narratives from different women in the film industry, this paper argues that such discussions enable us to rethink questions of gender, creative labour, characteristics of film work, and the industrial milieu. This permits a shift in the focus of study to subjects of waiting, legal battles, and writing and considers evolving labour geographies produced by the migration of cine-workers to examine the problems of creative labour.
