This paper scrutinises four, little-known, 19th century "Mutiny" novels, illuminating their fascinating diversities, as well as the politics of representation. It reveals how some of these texts cast the rani of Jhansi as cruel and licentious, situating her role in the Rebellion within contemporary colonial stereotypes. However, two unusual novels, Philip Meadows Taylor's Seeta (1872) and Michael White's lesser-known Lachmi Bai, Rani of Jhansi (1901), interestingly enough, drew upon the paradigm of the warrior-woman and projected her as a fearless freedom fighter in a manner that surprisingly fed into later Indian nationalist iconography.
