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Kettyolaanu Ente Malakha espouses a problematic understanding of marital rape by sympathising with the perpetrator and trivialising the trauma of the survivor.
Malayalam film Joji can be read as working through a central dialectic between society and family.
Supporting characters in contemporary Malayalam cinema echo the trope of the “magical Negro” in American cinema.
Malayalam cinema continues to devalue the concept of consent and naturalises all violations of women’s personhood.
